Learn about the nominees for Best Record of the Year of the 24th Latin GRAMMY® Award

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Learn about the nominees for Best Record of the Year of the 24th Latin GRAMMY® Award

Latin GRAMMYs/Nov 12, 2023 - 07:00 AM

RECORD OF THE YEAR

No Es Que Te Extrañe

Christina Aguilera

Christina Aguilera’s Ecuadorian roots run deep in her musical DNA. A heart-wrenching epic about trauma and forgiveness, “No Es Que Te Extrañe” is actually two songs in one: It begins as a delicate ballad with crystalline notes of acoustic guitar at the center of a mix boasting a distinctly organic feel. Aguilera’s natural performance — devoid of any digital additives — takes a lead role from the beginning. Following a subtle transition marked by vocal effects, the track morphs into a folk-flavored South American pasillo with tribal drumming and majestic strings. This epic climax leaves space for Aguilera to showcase the extraordinary power of her vocal cords.

Carretera Y Manta

Pablo Alborán

The opening track from Alborán’s sixth studio album — La Cu4ta Hoja — this infectious gem showcases the staggering sophistication that contemporary Latin pop is capable of in terms of arrangements and production technique. Written by the Spanish singer himself, “Carretera Y Manta” kicks off with a fleeting intro of guitar loops. The first verse juxtaposes Alborán’s intimate vocal delivery with an elaborate beat soaked in urbano moods. Jazzy electric guitar lines add coloring throughout and go into funk attack mode during a bridge reminiscent of late ’70s Chic. The near instrumental outro flirts with disco as Alborán neatly wraps the song up repeating the word deseo (desire).

Déjame Llorarte

Paula Arenas featuring Jesús Navarro

The lyrics of this breakup ballad culled from A Ciegas — the second studio album by Colombian singer/songwriter Paula Arenas — are devastatingly intense. Following the principle that less is more, producers María Elisa Ayerbe and Marcos Sánchez treat the sonic elements like a fragile piece of art that could shatter at the lightest touch. The arrangement is almost ascetic, making every single detail count: the subtle hum in the intro, the sparse piano line that leads into the first verse, and the elegant touches of guitar and percussion that underscore the drama in the chorus. Most importantly, the voices of Arenas and Reik frontman Jesús Navarro are placed at the very center of this dazzling mix.

Shakira: Bzrp Music Sessions, Vol. 53

Bizarrap featuring Shakira

One of the most popular songs of the year so far is also one of the most invigorating and transcendent collaborations in the annals of Latin music. Bizarrap grew up listening to his parent’s record collection, and his love for soundtrack albums and ’90s dance hits informs the shimmering sonics of this relentlessly upbeat track. The rhythm track is thick and bouncy, and the Argentine producer keeps things moving with his trademark use of flashy synth lines in the breaks between verses. But Bizarrap’s sessions are always about the guest star, and Shakira’s vocal line is open and spacious, amping up the echo e!ect leading to the epic climax.

Si Tú Me Quieres

Fonseca & Juan Luis Guerra

Dominican icon Juan Luis Guerra and Colombian troubadour Fonseca are known for favoring lilting folk soundscapes in their individual projects. It doesn’t come as a surprise that their life-affirming duet on the tender “Si Tú Me Quieres” evokes the dynamic of a live performance. Free from unnecessary e!ects or digital gimmicks, the mix is all about the relaxed performance of both artists, their singing enveloped by sweet accordion lines and supple touches of percussion. Harmonically, the track opens up during the bridge, with Guerra and Fonseca trading lines on top of a sophisticated, near-cinematic orchestral backing. This moment of tension resolves itself as the accordion returns for a wistful, feel-good finale.

Mientras Me Curo Del Cora

Karol G

Compared to the ominous atmospherics of “Provenza” and the feverish EDM break of “Cairo,” “Mientras Me Curo Del Cora” sounds as placid as the lyrics focusing on healing and self-acceptance. The ongoing collaboration between Karol G and fellow Colombian producer Ovy On The Drums (joined by Linda Goldstein and Juan Andrés Ospina to produce the track) has become one of the essential artistic partnerships of the decade. Ovy’s intuitive touch envelops the Colombian diva’s vocals in a sumptuous mix that draws from his digital panoply of effects but still manages to emote warmth. The opening track of Karol’s Mañana Será Bonito, “Mientras Me Curo Del Cora” samples Bobby McFerrin’s “Don’t Worry, Be Happy” and maintains a consistently breezy vibe of trippy loops and syncopated bass lines.

De Todas Las Flores

Natalia Lafourcade

Recorded live on analog tape during a series of intimate sessions held at a Texas studio with visionary French- Mexican producer Adán Jodorowsky — no visitors were allowed during the making of the record — Lafourcade’s 10th studio album found her returning to a cycle of original compositions after years spent paying loving tribute to the Latin American songbook. The production is exquisitely layered on the title track, the soft, acoustic percussion followed by delicate piano notes from arranger Emilio Dorantes, with soulful backup vocals and jazzy guitar licks by legendary axman Marc Ribot. The carefully arranged sonic architecture of the piece mirrors the inimitable singer/songwriter’s own, highly poetic cosmovision.

Ojos Marrones

Lasso

Venezuelan singer/songwriter Lasso showcases his encyclopedic understanding of traditional pop-rock on “Ojos Marrones,” a hit culled from Eva, his fourth studio album. Recorded with the objective of keeping the rhythm steady in order to generate an indelible mood, the track is minimalistic from the beginning — the bassline and 4/4 drum beat breathing in unison, interrupted by tasteful electric guitar licks. Lasso’s textured singing occupies the center of the mix, as he speaks about a past romance that cannot be forgotten. A subtle delay effect pops up during the second chorus, but for the most part, the song keeps the purity of its vision intact until the very end.

La Fórmula

Maluma & Marc Anthony

A slick synthesis of urbano panache and salsa gravitas, “La Fórmula” is the work of two contemporary stars who understand the dynamics that make Afro-Caribbean music tick. “La Fórmula” begins like a darkly hued reggaeton jam, with moody chords drenched in reverb and Maluma showing o! his vocal chops. A syncopated fill on the timbales takes the track into salsa territory, complete with punchy brass ri!s and a spidery piano tumbao. But this is not your grandfather’s mambo. Co-produced by frequent Marc Anthony collaborator Sergio George, “La Fórmula” dresses up the salsa elements in a punchy digital sheen. Maluma’s furious rap interlude and a brief rumba outro complete this captivating fusion of genres.

Despechá

Rosalía

Last year, Rosalía’s third album, Motomami, single-handedly challenged the very essence of what a pop record could be. Included in the deluxe edition of Motomami, “Despechá'' is a Dominican mambo gone hyperpop, a remarkable feat of engineering that continues on the stylistic path that the Spanish singer pioneered in recent years. It begins with a staccato piano vamp that is soon joined by a merengue groove. Rosalía’s existential pop could only have blossomed in the digital era — “Despechá” brims with the clarity of synth patches and state-of-the-art reverb. But her vocals are emotional and direct, and her mixes combine touches of icy elegance with blistering heat. A brief rap interlude brings the track to a sudden — but hugely satisfying — conclusion.

Correcaminos

Alejandro Sanz featuring Danny Ocean

Expertly produced by Spanish helmer Alizzz, “Correcaminos” tailors its wall-of-sound approach to its two protagonists, allowing the voices of veteran pop master Alejandro Sanz and Venezuelan innovator Danny Ocean to soar free. The interplay between both artists is particularly enjoyable, anchored on a sweet combination of acoustic guitar, an unassuming bass line and the ingenious loop that keeps the song’s dynamics moving forward at all times. There is a subtle hint of flamenco flavor in the arrangement, seamlessly combined with the refreshing pulse of the Urbano genre. “Correcaminos” fades out emphasizing its acoustic elements, leaving the listener pining for more.

The Latin Recording Academy® Presents Grammofonías

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The Latin Recording Academy® Presents Grammofonías

Latin GRAMMYs/May 13, 2025 - 01:00 PM

The podcast series debuts with six episodes featuring 12 renowned artists, and is available on the listening platform of your choice

For images click here

Photos Courtesy of The Latin Recording Academy

MIAMI (MAY 13, 2025) – The Latin Recording Academy® announced the debut of their new podcast, Grammofonías. The series debuted with six episodes featuring conversations between 12 renowned artists that explore themes from artistic creativity, friendship and gender to mentorship and musical inspiration, among others.

The featured artists are part of a diverse group that is representative of The Latin Academy’s membership body and reflect its growth and evolution over the last 25 years. Each of the six duets pair artists with long-standing music careers and younger musicians who have a mutual admiration for one another showcasing intimate and unique Latin GRAMMY® moments.

“We are excited to launch a new platform to connect music lovers with the creators who are shaping today’s sound and pushing the boundaries of Latin music,” said Manuel Abud, CEO of The Latin Recording Academy. “This series honors our musical legacy and allows us to share more widely the unique moments that unfold on the Latin GRAMMY stages.”

Grammofonías features in-depth and compelling conversations between the following artists:

  • Latin GRAMMY® winner and 2003 Latin Recording Academy Person of the Year™ Gilberto Gil, and Latin GRAMMY nominee João Gomes.

  • Multi-Latin GRAMMY and GRAMMY® nominee, Jorge Drexler, and Latin GRAMMY winner, C. Tangana.

  • Multi-Latin GRAMMY winner and 2019 Latin Recording Academy Person of the Year, Juanes, and Latin GRAMMY nominee GALE.

  • Multi-Latin GRAMMY winner and 2024 Latin Recording Academy Person of the Year, Carlos Vives, and Latin GRAMMY winner and 2020 Leading Ladies of Entertainment honoree, Goyo.

  • Latin GRAMMY winner and 2018 Latin Recording Academy Lifetime Achievement Award recipient, Chucho Valdés, and Latin GRAMMY nominee Cimafunk.

  • Latin GRAMMY winner and 2023 Leading Ladies honoree, Mon Laferte, and Latin GRAMMY nominee Bruses.

The project was executive produced by Laura Dergal, Head of Marketing & Content Development at The Latin Academy, in partnership with the production company Shake It Easy Media.

Grammofonías are now available to listen, click here, or visit the audio platform of your choice.

For the latest news, visit the official Latin Recording Academy site at LatinGRAMMY.com. Follow us on Facebook (LatinGRAMMYs), X (@LatinGRAMMYs), Instagram (@LatinGRAMMYs), and the  Latin GRAMMYs WhatsApp Channel, and use  #LatinGRAMMY on all popular social media platforms. The official Latin GRAMMY app is also available on iOS (Apple) and Android (Google Play).

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ABOUT THE LATIN RECORDING ACADEMY:

The Latin Recording Academy® is a nonprofit dedicated to nurturing, celebrating, honoring and elevating Latin music and its creators. Established as the global authority on Latin music, the membership-based organization composed of music professionals, produces the annual Latin GRAMMY Awards®, The Biggest Night in Latin Music®, which honors excellence in the recording arts and sciences, in addition to providing educational and outreach programs for the music community through its Latin GRAMMY Cultural Foundation®. For more information, please visit LatinGRAMMY.com.

MEDIA CONTACT:

The Latin Recording Academy

Nathalie Alberto

Nathalie.Alberto@grammy.com

The Latin Recording Academy® Announces The 26th Annual Latin GRAMMY Awards® To Be Held On Nov. 13

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The Latin Recording Academy® Announces The 26th Annual Latin GRAMMY Awards® To Be Held On Nov. 13

Latin GRAMMYs/Apr 22, 2025 - 01:00 PM

The Latin GRAMMYs® will air live from the MGM Grand Garden Arena in Las Vegas on Univision; additional Latin GRAMMY® Week events will be held around the city

Nominations will be announced on Wednesday, Sept. 17, and streamed across The Latin Academy’s social channels

MIAMI, FL (APRIL 22, 2025) – The Latin Recording Academy® announced today that the 26th Annual Latin GRAMMY Awards® will be held on Thursday, Nov. 13, 2025, at the MGM Grand Garden Arena in Las Vegas. This marks the 15th time that the ceremony will be held in the city, bringing together music creators from all over the world for an unforgettable Latin GRAMMY® Week that will set the stage for The Biggest Night in Latin Music®.

“We are proud to once again bring the passion and creativity of Latin music to Las Vegas,” said Manuel Abud, CEO of The Latin Recording Academy. “The city has welcomed the Latin GRAMMYs® over the years, and we look forward to another great Latin GRAMMY Week celebrating Latin music and its creators.”

The three-hour telecast will be produced by TelevisaUnivision, the leading Spanish-language media company in the world, airing across TelevisaUnivision’s U.S. platforms, beginning at 8 p.m. ET/PT (7 p.m. Central), preceded by a one-hour pre-show starting at 7 p.m. ET/PT (6 p.m. Central).

“As the home of Latin music, we are excited to deliver unparalleled coverage of the 26th Annual Latin GRAMMY Awards to our audience,” said Ignacio Meyer, President of Univision Networks Group at TelevisaUnivision. “This iconic night will showcase the extraordinary talent in Latin music, while shining a spotlight on the visionary artists, creators, and stories that are shaping culture in the U.S. and around the globe.”

In addition, Latin GRAMMY Week events will take place throughout the city, including the Special Awards Ceremony, Leading Ladies of Entertainment, Latin GRAMMY In The Schools, Nominee Reception, Best New Artist Showcase, Person of the Year Gala and Premiere Ceremony, preceding the telecast. More details on the week of events will be announced in the coming months.

Additional key dates for this year’s Awards Process in preparation for The Biggest Night in Latin Music include:

  • July 28 - Aug. 8, 2025: First Round of Voting

  • Sept. 17, 2025: Nominations Announcement

  • Oct. 1 - Oct. 13, 2025: Final Round of Voting

For more information regarding the current awards calendar visit: https://www.latingrammy.com/en/awards/calendar.

For the latest news, visit the official Latin Recording Academy site at LatinGRAMMY.com. Follow us on Facebook (LatinGRAMMYs), X (@LatinGRAMMYs) or Instagram (@LatinGRAMMYs), and join the conversation using our official hashtag #LatinGRAMMY on all popular social media platforms.

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ABOUT THE LATIN RECORDING ACADEMY:

The Latin Recording Academy® is a nonprofit dedicated to nurturing, celebrating, honoring and elevating Latin music and its creators. Established as the global authority on Latin music, the membership-based organization composed of music professionals, produces the annual Latin GRAMMY Awards®, The Biggest Night in Latin Music®, which honors excellence in the recording arts and sciences, in addition to providing educational and outreach programs for the music community through its Latin GRAMMY Cultural Foundation®. For more information, please visit LatinGRAMMY.com.

ABOUT TELEVISAUNIVISION:

TelevisaUnivision is the world’s leading Spanish-language media company. Powered by the largest library of owned Spanish-language content and a prolific production capability, TelevisaUnivision is the top producer of original content in Spanish across news, sports and entertainment verticals. This original content powers all of TelevisaUnivision’s platforms, which include market-leading broadcast networks Univision, Las Estrellas, Canal 5 and UniMás, and a portfolio of 38 cable networks, which include TUDN, Galavisión, Distrito Comedia and TL Novelas. The company also operates the leading Mexican movie studio, Videocine, and owns and operates the largest Spanish-language audio platform in the U.S. across 35 terrestrial stations and the Uforia digital platform. TelevisaUnivision is also the owner of ViX, the largest Spanish-language streaming platform in the world. For more information, please visit televisaunivision.com.

ABOUT MGM GRAND GARDEN ARENA:

The MGM Grand Garden Arena is home to concerts, championship boxing and premier sporting and special events. The Arena offers comfortable seating for as many as 16,800 with excellent sightlines and state-of-the-art acoustics, lighting and sound. Prominent events to date have included world championship fights between Evander Holyfield and Mike Tyson as well as Floyd Mayweather vs. Canelo Alvarez as well as Floyd Mayweather vs. Manny Pacquiao; and concerts by The Rolling Stones, Madonna, Elton John, Bruce Springsteen, Paul McCartney, Bette Midler, George Strait, Justin Timberlake, Beyonce, U2, Lady Gaga, Bruno Mars, Coldplay, Alicia Keys, Jimmy Buffett and the Barbra Streisand Millennium Concert. The MGM Grand Garden Arena also has been home to annual events including the Academy of Country Music Awards, the Billboard Music Awards, the Latin GRAMMY Awards, iHeartRadio Music Festival, Pac-12 Men’s Basketball Championship and Frozen Fury NHL pre-season games hosted by the Los Angeles Kings.

MEDIA CONTACTS:

The Latin Recording Academy

Iveliesse Malavé

ive@grammy.com

TelevisaUnivision

Laura Páez

Lpaez@televisaunivision.com

MGM Grand

Scott Ghertner / Allyson Wadman

sghertner@mgmresorts.com / awadman@mgmresorts.com

The Latin GRAMMY Cultural Foundation® Launches Fourth Annual Mentorship Program And Virtual Panel, In Partnership With She Is The Music

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The Latin GRAMMY Cultural Foundation® Launches Fourth Annual Mentorship Program And Virtual Panel, In Partnership With She Is The Music

Latin GRAMMYs/Apr 08, 2025 - 01:00 PM

Rocío Guerrero, Rosa Lagarrigue, Luana Pagani, Ivy Queen, Vivir Quintana, Diana Rodríguez, Janina Rosado, Maria Elena Salinas, Ana Rosa Santiago and Julieta Venegas, will be the mentors of this year’s Leading Ladies of Entertainment Connect TogetHER

MIAMI (APRIL 8, 2025) — The Latin GRAMMY Cultural Foundation® announced the fourth Leading Ladies of Entertainment Connect TogetHER mentorship program, in partnership with She Is The Music, a global nonprofit that works to increase the number of women in music.

The mentors of this year’s collaborative program, which will provide one-on-one virtual mentoring sessions with young women looking to follow a career in the music and entertainment industries include:

  • Rocío Guerrero, Head of Music, Latin/Iberia, Amazon Music

  • Rosa Lagarrigue, CEO of artist management company RLM

  • Luana Pagani, Partner & President at Fairwinds Entertainment

  • Ivy Queen, singer/songwriter Latin GRAMMY® nominee

  • Vivir Quintana, singer/songwriter and social activist for women’s rights in Mexico

  • Diana Rodríguez, CEO and founder of Criteria Entertainment, a music management and marketing firm, and Mercado Negro, a boutique management agency and label

  • Janina Rosado, Latin GRAMMY winning pianist, arranger and director

  • Maria Elena Salinas, award winning journalist

  • Ana Rosa Santiago, Senior Vice President of Latin Music & LatAm for Universal Music Publishing Group

  • Julieta Venegas, singer/songwriter Latin GRAMMY and GRAMMY® winner

Paying-it-forward and forging opportunities for future generations is a core pillar of the program and the Leading Ladies of Entertainment Connect TogetHER Panel will expand access to these Leading Ladies expertise. The panel moderated by mentees, Anabella Paolucci and Maria Esperanza features’ conversations with Rocío Guerrero, Luana Pagani, Maria Elena Salinas and Ana Rosa Santiago. To tune in visit: m.youtube.com/watch?v=YiNWxvlR4LE.

“We are proud to support the next generation of women in the Latin music industry with the Leading Ladies who generously share their time and expertise, and She is the Music”, said Raquel “Rocky” Egusquiza, Executive Director, Latin GRAMMY Cultural Foundation. “Together, the impact of community is made visible as we work towards closing the gender gap within the Latin music industry.”

The Leading Ladies of Entertainment initiative was created by The Latin Recording Academy in 2016 to honor and recognize professional and socially conscious women within the arts and entertainment fields who have made significant contributions and inspired the next generation of female leaders.

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ABOUT THE LATIN GRAMMY CULTURAL FOUNDATION:

The Latin GRAMMY Cultural Foundation® is a 501(c)(3) charitable organization established by The Latin Recording Academy® with the vision of becoming a global champion of music education and empowering communities through Latin music and culture. In 2024, the Foundation celebrated its 10-year anniversary, and during the last decade it has fostered the next generation of Latin music creators through scholarships, education programs and grants that advance Latin music and celebrate its rich cultural heritage. To date, the Foundation has donated more than $12 million with the support of The Latin Recording Academy’s members, artists, corporate sponsors and other generous donors. For additional information or to donate, please visit latingrammyculturalfoundation.org or our Facebook page. And follow us @latingrammyfdn on X and Instagram, and at Latin GRAMMY Cultural Foundation on Facebook and LinkedIn.

ABOUT SHE IS THE MUSIC:

She Is The Music (SITM) is a global nonprofit with the mission to increase the number of women working in music – songwriters, artists, producers, engineers, and executives. Their programs include the largest global database of women in music, mentorship and education programs and all-women songwriting camps hosted around the world. Operating as a unifying network for the music business and beyond, SITM provides resources and support for female-focused initiatives, both through its own programs as well as external efforts worldwide. A first-of-its-kind collaboration, SITM is powered by industrywide representation: creators, publishers, record labels, talent agencies, management companies, industry groups, think tanks, media companies, streaming services and more. Entertainment Industry Foundation serves as a partner. For more information, visit sheisthemusic.org.

MEDIA CONTACT:

The Latin Recording Academy

Nathalie Alberto

Nathalie.Alberto@grammy.com

New Eligibility Guidelines Announced For The 26th Annual Latin GRAMMY Awards® Process

News

New Eligibility Guidelines Announced For The 26th Annual Latin GRAMMY Awards® Process

Latin GRAMMYs/Mar 19, 2025 - 01:00 PM

A new Field and two Categories added, and changes to requirements for existing categories also made

MIAMI (MARCH 19, 2025) — As part of The Latin Recording Academy®’s commitment to evolve with the ever-changing musical landscape, and to best serve its membership body of music creators and professionals, we are pleased to announce that several changes, including a new field and two categories, have been added to the 26th Annual Latin GRAMMY Awards® Process.

NEW FIELD & CATEGORY

FIELD: VISUAL MEDIA

CATEGORY: BEST MUSIC FOR VISUAL MEDIA

The category of Music for Visual Media recognizes original music created to accompany and enrich the storyline of movies, television series, video games and other visual media.

This includes music that, through its creativity and originality, significantly enriches the narrative and atmosphere of movies, series, documentaries, video games, and other visual media, elevating the viewer's experience. For a project to participate in this category, it must: A) feature Latin rhythms recognized as genres participating in the annual Latin GRAMMY awards; or B) be composed by someone of Ibero-American descent. A fundamental condition is that the music be original and created specifically for the visual media project. To qualify, the total duration of the production must be at least 15 minutes of the original music and not different versions of it, and it can include songs with lyrics and vocals in Spanish, Portuguese, and/or regional dialects, or it can be instrumental. The statuette is presented to: Composer(s) and Artist(s) with significant contributions, Producer(s), Arranger(s), Recording Engineer(s) and Mixing Engineer(s) for 51% or more of the total recording time of the album.

NEW CATEGORY

BEST ROOTS SONG – SINGLES OR TRACKS ONLY (TRADITIONAL FIELD)

This award is given to the songwriters of new, unpublished recordings, both vocal and instrumental, that reflect the traditions and roots of various communities, cultures, or social groups, especially those of Hispanic American origin, whether in Spanish, Portuguese or in indigenous languages or dialects. Eligible genres include tango, folk, flamenco, and other traditional subgenres, excluding tropical music and its derivatives, and must be in Spanish, Portuguese or in indigenous languages or dialects. If another language is included, the recording must contain at least 60% of its lyrics in Spanish, Portuguese or in an indigenous language, be completely original, and have been released during the current eligibility period. The recording can be part of an album (tracks) or presented as a single. Covers, remixes, and recordings that use interpolation or samples from other previously released recordings will not be considered. The award is given to the songwriter(s), and Special Certificates (Publisher’s Certificates) are awarded to the music publishers.

ADDITIONAL CATEGORY AMENDMENTS

1. CATEGORY NAME CHANGES:

  • Best Pop Vocal Album category will now be named Best Contemporary Pop Album (Pop Field).

  • Best Urban Fusion/Performance category will now be named Best Urban/Urban Fusion Performance (Urban Field).

  • Best Latin Children’s Album category will now be named Best Children’s Album (Children’s Field).

2. AMENDMENT TO CATEGORY NAMES WITHIN THE POP FIELD:

The Pop Field is eliminating the word “Vocal” from the categories within its field, therefore, the album categories names will be as follows:

  • Best Contemporary Pop Album

  • Best Traditional Pop Album

3. AMENDMENT TO ELIGIBILITY CRITERIA:

Eligibility criteria was updated in the Best Urban/Urban Fusion Performance category (Urban Field):

  • Remixes are eligible only if the original version of the song was released within the same eligibility year.

  • The required percentage of urban elements is increasing from 51% to 60% to qualify in this category.

4. NEW SONGWRITER OF THE YEAR ELIGIBILITY CRITERIA:

The Songwriter of the Year category reduced the minimum song threshold from six (6) songs to four (4). Songwriters with a minimum of four (4) newly written songs will be credited as a songwriter or co-writer, provided they are not also the performer, producer or engineer.

5. NEW VIDEO ELIGIBILITY CRITERIA:

Best Long Form Music Video Category (Music Video Field)

Eligible videos in the Best Long Form Music Video category must have a minimum duration of 12 minutes. Additional eligibility criteria: the duration of the credits will not be counted as part of the video's length unless they contribute to the creative process.

6. AMENDMENT TO THE SCREENING AND VOTING PROCESS FOR THE PRODUCER OF THE YEAR CATEGORY:

The Producer of the Year category (Production Field), recognized as a craft category, will now be screened and voted on by a specialized committee in addition to the membership screening and voting process.

ONLINE ENTRY PROCESS

NEW GUIDELINES FOR SUBMISSIONS:

1. REQUIRED INFORMATION

For each entry in the Online Entry Process, the entrant is required to provide the recording date, the UPC or the ISRC number for the recording being submitted for Latin GRAMMY consideration.

2. STREAMING LINKS

The entrant must provide at least two (2) streaming links, ensuring that the links direct to the specific recording and not to the artist's page.

3. ENTRY FEES

The Latin Recording Academy has decided to implement the following fee structure:

MEMBERS - The Per-entry fee structure encourages submitters to carefully evaluate the value of each entry and prioritize work, they truly believe is worthy of recognition. Under this model, all Associate and Voting Members receive five (5) complimentary entries annually. Starting with the 6th entry members will pay $20 USD per additional entry.

RECORD LABELS - Record labels are currently required to pay a $500 fee to submit entries, with such fee varying based on the timing of the submission, as outlined below:

THE LATIN RECORDING ACADEMY FEE SCHEDULE

Category Early Entry Pricing (April 1 - April 30) Standard Pricing (May 1 - May 30)
Members $20 (after 5 courtesy entries) $20 (after 5 courtesy entries)
Record Labels $500 $1,000

All updates go into effect immediately for the upcoming 26th Annual Latin GRAMMY Awards taking place in November 2025. To view this year’s Awards calendar, visit https://www.latingrammy.com/en/awards/calendar.

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ABOUT THE LATIN RECORDING ACADEMY:

The Latin Recording Academy® is an international nonprofit dedicated to nurturing, celebrating, honoring and elevating Latin music and its creators. Established as the global authority on Latin music, the membership-based organization composed of music professionals produces the annual Latin GRAMMY Awards®, The Biggest Night in Latin Music®, which honors excellence in the recording arts and sciences, in addition to providing educational and outreach programs for the music community through its Latin GRAMMY Cultural Foundation®. For more information, please visit LatinGRAMMY.com.

MEDIA CONTACT:

The Latin Recording Academy

Nathalie Alberto

Nathalie.Alberto@grammy.com